Biologique Series- paintings based on living nature
This series of mixed media on sustainable wood panel works depicts things found in living nature: birds in flight, flowers, feathers, butterflies and birds.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
"Connected"
72 x 48 mixed media on panel
”Connected” depicts a butterfly puzzled together with wildflowers it interacts with in its environment; blue sage, Dianthus, California poppy, thistle, dandelion, and milkweed. The Butterfly derives nectar or pollinates all of these species of flowers.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
Symbiotic
36 x 48
acrylic on canvas
This painting depicts a butterfly puzzled together with flowers it pollinates and derives nectar from. It is an attempt to show interconnectedness in nature and a reminder that things in nature have value that is independent and greater than any value that humankind places on them. They are innately valuable in their own right.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
"Tapestry" 48 x 36 mixed media on board
“Tapestry” is an illustration of woven tapestry representing the interconnectedness and fragility of the natural world. The natural world is intricate, interwoven and delicately balanced. A species in decline is like a loose thread that can unravel the fabric of the ecosystem. This painting aims to depict this.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
“Sentient”
72 x 48
Mixed media on board
Sentient depicts a bird puzzled together by flowers which suggests the birds interconnectedness with it’s environment. The eye of the bird engages the viewer to show that the bird is aware and self aware.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Life is Beautiful” 36 x 48 mixed media on sustainably harvested wood panel.
Flowers to stir feelings of joyous abandon.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Connected”
48 x 72 acrylic on wood panel
This painting depicts a butterfly puzzled together with flowers it pollinates and derives nectar from. It is an attempt to show interconnectedness in nature and a reminder that things in nature have value that is independent and greater than any value that humankind places on them. They are innately valuable in their own right.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“A Sense of Belonging
36 x 48 mixed media on wood panel.
Flocks of birds flying home at sunset remind me of how it feels to return home after a long journey to the people and place where we belong. The birds and trees are communicated through series of lines, dots, and dashes. I wanted to see If I could communicate not only a shape, but also motion using only lines, dots and dashes.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Summer’s Laughter Hides just behind the Spring” 48 x 36 mixed media on sustainably harvested wood panel.
This painting is about longing for summer in the dead of winter and remembering the warmth and laughter that it will bring.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Floraldelic I
12 x 12 mixed media on wood panel
This is the first in a diptych with brightly colored flowers. it is simply meant to energize and please the viewer. Good vibes are good stuff!
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Floraldelic II
12 x 12 mixed media on wood panel
This is the first in a diptych with brightly colored flowers. it is simply meant to energize and please the viewer. Good vibes are good stuff!
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“This is Day”
48 x 48 mixd media on wood panel
this painting features Day blooming flowers, some of which are puzzled together to great a La Dia de Los Muertos skull. The butterfly on the forehead is a frequenty overlooked pollinator. The skull symbolizes our own mortality which is tied to that of the pollinators.
“This is Night” 48 x 48 mixed media on sustainably harvested wood panel.
This painting depicts a skull made up of night blooming flowers like angel’s trumpet, moon flower, Avas flower and night blooming jasmine. The Moth is an often overlooked, but important nighttime pollinator. I chose the skull with the same intention as the monks who kept human skulls on their desks, as a reminder that life is temporary and to appreciate it and seize the day. The skull is also a reminder that we rely on the services of pollinators for our very survival.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Sentient in Blues” 36 x 48 mixed media on wood panel
This is a commissioned piece based on Sentient. We made a smaller version and used a new colorway for a client.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Everything’s Coming Up Roses” 24 x 48 mixed media on sustainably harvested wood panel.
this is an abstract interpretation of roses one in golden yellow, deep indigo, ice gray and white.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“A Prayer for the Wild Things” 48 x 72 mixed media on sustainably harvested wood panel.
A Prayer for the Wild Things” 48 x 72 mixed media on sustainably harvested wood panel.
This painting depicts a butterfly puzzled together with flowers it pollinates and derives nectar from. It is an attempt to show interconnectedness in nature and a reminder that things in nature have value that is independent and greater than any value that humankind places on them. They are innately valuable in their own right.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Lavender Dreams” 48 x 72 mixed media on sustainably harvested wood panel.
This painting is a dreamscape of soft lavender flowers meant to sooth the mind and relax the body and fill the room with serenity and calm. Pretty simple.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Stand and Reflect 24 x 48 mixed media on sustainably harvested wood panel.
This painting depicts a stand of trees in rusts, sky blue, indigo and gray.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Charcoal and Bleached Bone I” 24 x 16 mixed media on sustainably harvested wood panel.
Abstract floral in black, gray and white.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Charcoal and Bleached Bone II” 24 x 16 mixed media on sustainably harvested wood panel.
Abstract floral in black, gray and white.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Passion Creeps like a Wild Vine” 48 x 36 mixed media on sustainably harvested wood panel.
This painting is just an interpretation of a beautiful Passion Flower vine..
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Flying Home” 24 x 48 mixed media on sustainably harvested wood panel.
This painting is an interpretation of a flock of birds flying home at sunset after a long journey. It hopes to give the feeling of belonging and safety that come when we return home. The birds are communicated through series of lines, dots, and dashes. I wanted to see If I could communicate not only a shape, but also motion using only lines, dots and dashes.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Good Night Sweet Summer” 36 x 48 mixed media on sustainably harvested wood panel.
This painting is about the feeling you get in late summer, when the trees are at their fullest and the world is in bloom and you know it will soon end, a victim to the cycle of seasons. It is about the longing for summer you feel before it even ends.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Just a Feather” 24 x 48 mixed media on sustainably harvested wood panel.
This painting is a celebration of the beauty of a simple feather.
Feathers are beautiful, graceful, and a feat of engineering, Light, flexible and strong they allow their bearers to fly.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“No Such thing as a Weed I” 24 x 24 mixed media on sustainably harvested wood panel.
Thistle painted in soft violet, and soft sage green with bone and charcoal.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“No Such thing as a Weed II” 24 x 16 mixed media on sustainably harvested wood panel.
Thistle painted in soft violet, and soft sage green with bone and charcoal.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Monarch” 24 x 16 mixed media on sustainably harvested wood panel.
An abstract interpretation on an Monarch Butterfly’ wing.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Adrift”
36 x 48 mixed media on wood panel
a celebration of the fall.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“flowerskull” - momento mori works
12 x 12
part of the momento mori series reminding us to seize the moment and live.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Binary Code Works
Binary Code Series
The Binary Code Series features a collection of paintings with binary code messages.
It occurred to me that binary code is the new universal language. Every text we send, every news article we read online is in binary code. People in virtually every nation now communicates and gets information online. We are all communicating with binary code. On another line f thought, Tibetan and Nepalese Buddhists believe that the messages printed on their prayer flags are carried indefinitely by the wind. I believe the same about works of art; the intention put into a work of art continues to emanate from the painting. With these two seemingly unrelated thoughts in mind, Leslie decided to create a series of positive messages in binary code that people long to and deserve to hear. Each piece is entitled with the translation of the binary code message in the paining. Works include:
“you are beautiful”
“I love you”
“You are extraordinary”
“You Got This”
and more.
These painting are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
“You are Beautiful!” 48 x 48 mixed media on wood panel
This painting depicts the binary code message “you are beautiful”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“I love You’
48 x 48 mixed media on wood panel
This painting depicts the binary code message for “I love you”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“You Got This”
A binary code painting that says “you got this”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“You are extraordinary!’
48 x 72 mixed media on wood panel
This painting depicts the binary code message for “you are extraordinary!”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“F-ck it; Let’s Dance”
36 x 48 mixed media on wood panel.
Almost the exact translation of the binary code message. Apply where needed.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“True” - binary code works
12 x 12
This painting depicts the binary code message “true”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Love” - binary code works
12 x 12
This painting depicts the binary code message “Love”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Soul” - binary code works
12 x 12
This painting depicts the binary code message “soul”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Good Vibes’
36 x 48 mixed media on wood panel
This painting depicts the binary code message for “good vibes”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Friends and Family
36 x 48 mixed media on wood panel
This painting depicts the binary code message “friends and family”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Love is good”
48 x 48 mixed media on wood panel
this is a painting with the binary code message “Love is good”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Music Genre Project series- soundwaves from music
The Music Genre Project series features paintings of soundwaves from popular music that are characteristic of the type of music, or capture something special. Works include soundwaves from Miles Davis, The Beatles, Bach, The Rolling Stones, Pop, R&B. monks chanting and more.
“Pop, when the Base Drops out”
48 x 36 mixed media on wood panel
This is a sound wave taken from pop music. The exact is not the focus rather the characteristic of the soundwave.
This soundwave was taken from Lil Wayne & 2 Chainz- No Problem- Chance the Rapper- Coloring Book
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Gimme Shelter”
48 x 48 mixed media on wood panel
This is a soundwave taken from rock & roll. The exact song is not the focus, rather the soundwave and colorway.
This soundwave was taken from the Rolling Stones song “Gimme Shelter” when the backup singer sings “Rape, Murder, It’s just a shot away” Her vocals are the most important part of that song for me.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“R&B”
24 x 48 mixed media on wood panel
This is a soundwave taken from rythim and blues. The exact song is not the focus, rather the soundwave and colorway are the focal point.
This soundwave was taken from the Party Next Door song “Not Nice”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Jazz and Traffic”:
36 x 48 mixed media on wood panel
This soundwave is taken from the Miles Davis Song Night in Tunisia. I spent over an hour trying to get a clean sample of the music. At that time, my studio was next to a busy intersection and it was a very heavy traffic day. Cars and trucks were gong by constantly. My patience was gone and I was cussing up a storm when I realized what was happeing. The jass and traffic soundwaves were combining to create a skyline. In this sample, a car, motorcycle and truck rumbled by, interweaving with Miles’ trumpet. I was shocked then elated.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Help”
48 x 36 mixed media on wood panel
Soundwaves from The Beetles Help. This captures the verses “Help; I really need somebody. Help; I really need someone. Help.”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“pop”
48 x 36 mixed media on wood panel
This is a soundwave taken from pop music. The exact song is not the focus, rather the soundwave and colorway.
This soundwave was taken from the Era Estrefi song “Bon Bon”
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Rock-n-Roll
24 x 48 mixed media on wood panel
This was my first soundwave piece. I wasn’t sure if soundwaves were going to be visually appealing as paintings. I looked at and took so many samples, I do not know the origin of this sample. I think it may have been Nirvana.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Wind Vision”
48 x 36 mixed media on wood panel
This is a soundwave taken from an experimental wind instrument called the Windrose created by my dear friend Kehren Barbour and her Husband Michael. They strung long strands of filament between a piano harp that had been removed from a decommissioned piano and turned on its side and a functioning piano. As the wind blew through the filament a high pitched, eerie and beautiful song arose. A composer played along with this wind song and a beautiful melody arose. This sample is just the wind and the decommissioned harp.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“The Color of Sound I”
24 x 48 mixed media on wood panel
This is a soundwave taken from an experimental wind instrument called the Windrose created by my dear friend Kehren Barbour and her Husband Michael. They strung long strands of filament between a piano harp that had been removed from a decommissioned piano and turned on its side and a functioning piano. As the wind blew through the filament a high pitched, eerie and beautiful song arose. A composer played along with this wind song and a beautiful melody arose. This sample is just the wind and the decommissioned harp.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“The Color of Sound II”
24 x 48 mixed media on wood panel
This is a soundwave taken from an experimental wind instrument called the Windrose created by my dear friend Kehren Barbour and her Husband Michael. They strung long strands of filament between a piano harp that had been removed from a decommissioned piano and turned on its side and a functioning piano. As the wind blew through the filament a high pitched, eerie and beautiful song arose. A composer played along with this wind song and a beautiful melody arose. This sample is just the wind and the decommissioned harp.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Momento Mori Series
The Momento Mori series features skulls that remind us of the beauty and temporary nature of life. They remind us to seize the day.
“This is Night” 48 x 48 mixed media on sustainably harvested wood panel.
This painting depicts a skull made up of night blooming flowers like Angel’s Trumpet, moon flower, Avas flower and night blooming jasmine. The Moth is an often overlooked but important nighttime pollinator. I chose the skull with the same intention as the monks who kept human skulls on their desks, as a reminder that life is temporary and to appreciate it and seize the day. The skull also reminds us that our own mortality is tied to that of the pollinators.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
This is Day”
48 x 48 mixd media on wood panel
this painting features Day blooming flowers, some of which are puzzled together to great a La Dia de Los Muertos skull. The butterfly on the forehead is a frequenty overlooked pollinator. The skull symbolizes our own mortality which is tied to that of the pollinators.
Bernard
12 x 12 acrylic on wood panel
These skulls are named after monks to commemorate the meaning that skulls hold for them. They are paired with flowers to complete the cycle of life. Saxon monks kept human skulls on their desks as a reminder to seize the day because life is a temporary state. Hindus often use the skull as a symbol because they embrace both life and death as a natural part of the cycle of life. Neither is avoided. .To the Buddhist, skulls represent the perpetually sought after emptiness achieved through mediation.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art.
Custom works are available. Prices are not listed to protect the privacy of my collectors. Please reach out to me via the “contact” page for pricing and with questions.
Bernard’s Flowers
12 x 12 acrylic on wood panel
These skulls are named after monks to commemorate the meaning that skulls hold for them. They are paired with flowers to complete the cycle of life. Saxon monks kept human skulls on their desks as a reminder to seize the day because life is a temporary state. Hindus often use the skull as a symbol because they embrace both life and death as a natural part of the cycle of life. Neither is avoided. .To the Buddhist, skulls represent the perpetually sought after emptiness achieved through mediation.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art.
Custom works are available. Prices are not listed to protect the privacy of my collectors. Please reach out to me via the “contact” page for pricing and with questions.
“Skull with Flowers I”
12 x 12 mixed media on panel
This is the first in a diptych with garden flowers and a sugar skull.
“Skull with Flowers II”
12 x 12 mixed media on panel
This is the second inn a diptych with garden flowers and a sugar skull.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Huangbo’s Flowers
12 x 12 acrylic on wood panel
These skulls are named after monks to commemorate the meaning that skulls hold for them. They are paired with flowers to complete the cycle of life. Saxon monks kept human skulls on their desks as a reminder to seize the day because life is a temporary state. Hindus often use the skull as a symbol because they embrace both life and death as a natural part of the cycle of life. Neither is avoided. .To the Buddhist, skulls represent the perpetually sought after emptiness achieved through mediation.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art.
Custom works are available. Prices are not listed to protect the privacy of my collectors. Please reach out to me via the “contact” page for pricing and with questions.
Huangbo
12 x 12 acrylic on wood panel
These skulls are named after monks to commemorate the meaning that skulls hold for them. They are paired with flowers to complete the cycle of life. Saxon monks kept human skulls on their desks as a reminder to seize the day because life is a temporary state. Hindus often use the skull as a symbol because they embrace both life and death as a natural part of the cycle of life. Neither is avoided. .To the Buddhist, skulls represent the perpetually sought after emptiness achieved through mediation.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art.
Custom works are available. Prices are not listed to protect the privacy of my collectors. Please reach out to me via the “contact” page for pricing and with questions.
“Flowerskull I”
12 x 12
part of the momento mori series reminding us to seize the moment and live.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Tripurari
12 x 12 acrylic on wood panel
These skulls are named after monks to commemorate the meaning that skulls hold for them. Saxon monks kept human skulls on their desks as a reminder to seize the day because life is a temporary state. Hindus often use the skull as a symbol because they embrace both life and death as a natural part of the cycle of life. Neither is avoided. .To the Buddhist, skulls represent the perpetually sought after emptiness achieved through mediation.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art.
Custom works are available. Prices are not listed to protect the privacy of my collectors. Please reach out to me via the “contact” page for pricing and with questions.
Benedetto’s Flowers
12 x 12 acrylic on wood panel
These skulls are named after monks to commemorate the meaning that skulls hold for them. They are paired with flowers to complete the cycle of life. Saxon monks kept human skulls on their desks as a reminder to seize the day because life is a temporary state. Hindus often use the skull as a symbol because they embrace both life and death as a natural part of the cycle of life. Neither is avoided. .To the Buddhist, skulls represent the perpetually sought after emptiness achieved through mediation.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art.
Custom works are available. Prices are not listed to protect the privacy of my collectors. Please reach out to me via the “contact” page for pricing and with questions.
Bennedetto
12 x 12 acrylic on wood panel
These skulls are named after monks to commemorate the meaning that skulls hold for them. They are paired with flowers to complete the cycle of life. Saxon monks kept human skulls on their desks as a reminder to seize the day because life is a temporary state. Hindus often use the skull as a symbol because they embrace both life and death as a natural part of the cycle of life. Neither is avoided. .To the Buddhist, skulls represent the perpetually sought after emptiness achieved through mediation.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art.
Custom works are available. Prices are not listed to protect the privacy of my collectors. Please reach out to me via the “contact” page for pricing and with questions.
Atilllo
12 x 12 acrylic on wood panel
These skulls are named after monks to commemorate the meaning that skulls hold for them. They are paired with flowers to complete the cycle of life. Saxon monks kept human skulls on their desks as a reminder to seize the day because life is a temporary state. Hindus often use the skull as a symbol because they embrace both life and death as a natural part of the cycle of life. Neither is avoided. .To the Buddhist, skulls represent the perpetually sought after emptiness achieved through mediation.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art.
Custom works are available. Prices are not listed to protect the privacy of my collectors. Please reach out to me via the “contact” page for pricing and with questions.
Layerred Abstract Works
Abstracts done with Leslie Rowland’s signiture layering process.
“Building Blocks” 36 x 48 mixed media on panel
A structural abstract painting that hints of a cityscape.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Tic Tac Toe I” 48 x 48 mixed media on panel
A very large tic tac toe board!
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Tic Tac Toe II”
48 x 48 mixed media on panel
A very large tic tac toe board
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Boundaries of Truth”
36 x 48 mixed media on panel.
A structural abstract painting with vivid color reminiscant of palnt celular structure whick does in deed have bondaries. So should truth.
These paintings are created with a layering and removal technique. The imagery is first sketched then panted on the board and then the imagery is obscured beneath as many as twenty solid layers of color. When the layers are completely dry, Leslie begins the removal process. She sands and wet washes through the layers to reveal the final work of art. This process takes about 30 - 45 days for most paintings..
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Visceral Resin Works
These works are created with resin and pigment on canvas.
“Deep Blue and You”
48 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
‘Deep Blue and You II”
48 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Sacred Earth I
40 x 40 resin. metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Sacred Earth II
40 x 40 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
‘Her Perfume Left the Scent of Jasmine in the Air”
48 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
The Blue Flame
60 x 30
resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
20 x 30
resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Reaching Deep Into Your Soul I
40 x 40
resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“And so It Began I”
30 x 30 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“And so It Began II”
30 x 30 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Luscious”
20 x 25 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Glamorama Bling Bling”
40 x 40 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Vengeance and Grace I
36 x 36 resin. metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Vengeance and Grace II
36 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Here there be Dragons I”
48 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
“Here there be Dragons II”
48 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Stone Heart II
48 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
The Path of Least Resistance
48 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
He Whispered Something about Spain
60 x 40 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Into the Arms of Eden
48 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Everything is Sacred
30 x 40 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Everything is Sacred II
40 x 30 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Everything is Sacred
40 x 30 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Core
60 x 40 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
Falling Asleep in a Late Summer Garden
48 x 36 resin, metal leaf and pigment on canvas
These paintings are created by making paint out of resin then applying it to canvas. Each color is applied separately. The artist has the task of anticipating and directing the motion of the resin, which continues to move after it is applied. This understanding of the movement of the medium comes from thousands of hours of dedicated practice of this art form and allows the artist to create beautiful and dynamic works of art that look like they are still in liquid motion.
I omit pricing to protect the privacy of my collectors. Feel free to reach out to me for prices. If this painting is sold, or maybe to the right size and you want it in your world, allow me to paint something inspired by it just for you. reach out via the contact information in the “About section”
